Our Weekly Read column features Fortune staffers’ and contributors’ takes on recently published books about the business world and beyond. We’ve invited the entire Fortune family — from our writers and editors to our photo editors and designers — to weigh in on books of their choosing based on their individual tastes or curiosities. Each Friday we feature a different review. This week, Rik Kirkland, a former Fortune managing editor who is now a McKinsey & Co. partner, weighs in on Sylvia Nasar’s sweeping account of the men who created our financial system, Grand Pursuit: The Story of Economic Genius.
With her second book Grand Pursuit: The Story of Economic Genius, Nasar shifts from micro to macro. However, this is not a traditional history of economic thought or a conventional string of bios of great men. Rather it is the story of the evolution of a radical, planet-reshaping idea — “the idea that humanity could turn tables on economic necessity — mastering rather than being enslaved by material circumstances.” Despite some inevitable wandering as her saga rushes on, Nasar never loses sight of her central theme: the powerful role modern economics has played in helping to solve what John Maynard Keynes called “the political problem of mankind” — how to combine “economic efficiency, social justice and individual liberty.” If Hollywood comes knocking this time round, it will take a David Lean, orchestrating a cast of thousands, to capture the epic — and ultimately deeply uplifting — sweep of the action.

FORTUNE — In A Beautiful Mind (1998) Sylvia Nasar told, with a novelist’s eye for narrative and detail, the tragic tale of a solitary genius, Nobel-prize winning mathematician John Nash. Her reward: critical acclaim and a bestseller that later became a hit movie, starring Russell Crowe and directed by Ron Howard.

The canvas is epic: Victorian London, war-shattered Europe, imperial Washington. The details are fresh, at times startling: Karl Marx deploying his favorite conversation starter, “I am going to annihilate you”; Joseph Schumpeter, he of “creative destruction” fame, riding around Vienna as finance minister in a horse-drawn carriage “with a call girl or two on his arm”; conservative icon Milton Friedman as a young Treasury wonk-on-the-make inventing for FDR that ultimate postwar “revenue-raising machine” — the withholding tax. (Who knew?) At the same time, gnarly but critical concepts, such as the “money illusion” (how inflation and deflation distort decision-making) or the way productivity serves as the primary driver of wages and living standards, shine through in all their richness and complexity. If only Econ 101 had been this interesting!
